Thursday, July 8, 2010

Movie Discussion

So Matt and I came up with the idea for a movie discussion group yesterday. This doesn't really have to be organized at all--just a meeting of the minds, so to speak, whether that is just us hanging out and talking or Matt writing his doctoral thesis on the use of color in Antonioni films. Basically, every month we are going to watch the films of a specific director. You don't have to watch all of them--watch as many or as few as you want. I had it in mind that you'd go through the ones you do watch in chronological order. That way you can see the growth of the director through their films. But that's just how I'm going to do it. I made a list of twelve directors I'll attach to the end of this post. I included my suggestions for their five or so biggest movies, but obviously you can watch any movies you'd like by them. I had sent an e-mail to the others in the Jesus Fighter Pilots filmmaking group, and hopefully they will come up with their own list of directors. We wanted it so that a new person picked the director for each month. That way everyone is represented. I also wanted a big variety--foreign or American, new or old, all different kinds of genres--because that way people would see movies they wouldn't normally be watching, and I just think it'll help our discussion. Anyone who reads this and wants to join in, feel free. This is open to everyone. If you want to be represented, send me a list of the directors you'd like to watch. This is really loose and informal, so hopefully we can get others to join in.

I also always liked the idea of a reading group. We could do a different author or a different theme or a different genre each month (or it doesn't have to be monthly, it can be other lengths of time). I just like the idea of everyone experiencing stuff at the same time and discussing it. I know Emily reads a lot, so maybe she can get in on this. This could even be done with music, although I'm not sure how that'd work out. Just an idea.

Anyways, here is my list of directors chosen by me pretty much at random with some suggestions for which movies to watch by them (the first movie listed for each is the earliest chronologically and the rest are in order):

1.) Ingmar Bergman (The Seventh Seal, Wild Strawberries, Persona, Cries and Whispers, Autumn Sonata, Fanny and Alexander)
2.) David Lynch (Eraserhead, The Elephant Man, Blue Velvet, Twin Peaks [TV], Lost Highway, Mulholland Dr.)
3.) John Ford (Stagecoach, The Grapes of Wrath, My Darling Clementine, The Quiet Man, The Searchers, The Man Who Shot Liberty Vallance)
4.) Francois Truffaut (The 400 Blows, Breathless, Jules and Jim, Day for Night, The Last Metro)
5.) Akira Kurosawa (Rashomon, Ikiru, Seven Samurai, Throne of Blood, The Hidden Fortress, Yojimbo, Ran)
6.) Coen Bros. (Blood Simple, Raising Arizona, Miller's Crossing, Barton Fink, Fargo, No Country for Old Men)
7.) Frederico Fellini (La Strada, Nights of Cabiria, La Dolce Vita, 8 1/2, Amarcord)
8.) Buster Keaton (The Boat, Our Hospitality, Sherlock Jr., The Navigvator, The General, Steamboat Bill Jr.)
9.) Darren Aronofsky (Pi, Reqiuem for a Dream, The Fountain, The Wrestler)
10.) Michael Mann (Thief, Manhunter, The Last of the Mohicans, Heat, The Insider, Collateral, Miami Vice, Public Enemies)
11.) Brian De Palma (Carrie, Dressed to Kill, Blow Out, Scarface, The Untouchables)
12.) David Cronenburg (The Fly, Dead Ringers, Naked Lunch, Crash, Eastern Promises)

I know, boring picks, right? Some of them are a little obvious (Fellini, Kurosawa), but I haven't seen some of their movies and it seemed like a good opportunity to (and I know the Fellini ones I've seen get better with rewatchings--prepare to be bored your first time!). My goal wasn't really to pick directors I knew all that well, but to pick new stuff to dig into. What is the fun of picking stuff I already know by heart? And I just had to put Lynch on there, becuase he's awesome.

--Edward

6 comments:

  1. Here's some more directors with movies that aren't actually in chronological order.


    Francis Ford Coppola
    Godfather
    Godfather 2
    Apocalypse Now
    The Conversation
    Bram Strokers Dracula

    Stanley Kubrick
    The Killing
    Lolita
    Dr Strangelove
    Paths of Glory
    Barry Lyndon
    2001
    Full Metal Jacket
    The Shining
    A clockwork orange

    Paul Thomas Anderson
    Hard Eight
    Boogie Nights
    Magnolia
    Punch Drunk Love
    There Will Be Blood

    Spike Lee
    Do the right thing
    Clockers
    Jungle Fever
    Malcom X
    Bamboozled
    25th Hour

    Alfred Hitchcock
    Rear Window
    Dial m for murder
    Vertigo
    North by Northwest
    Psycho
    The Birds

    Sergio Leone
    Once upon a time in the west
    the good the bad and the ugly
    A fist full of dollars



    Martin Scorcese
    Mean Streets
    Taxi Driver
    Raging Bull
    Goodfellas
    Casino
    Gangs of New York
    The Departed

    Ridley Scott
    Alien
    Blade Runner
    Gladiator

    Fritz Lang
    M
    Metropolis
    The Big Heat
    Fury
    Hangmen Also Die

    Orson Welles
    Citizen Kane
    Touch of Evil

    Robert Altman
    Short Cuts
    The long goodbye
    Nashville
    McCabe and Mrs Miller
    3 Women
    Mash
    Gosford Park
    The Player
    Images
    California Split

    Andrew Niccol
    Truman Show
    Gattaca
    Simone
    Lord of War
    The Terminal

    ReplyDelete
  2. Let me add "Shoot the Piano Player" to the big Francois Truffaut movies. Sorry, guys, for not having it earlier.

    ReplyDelete
  3. Daniel says:

    "1. Billy Wilder

    Double Indemnity

    The Lost Weekend

    Sunset Boulevard

    The Seven Year Itch

    Some Like It Hot

    The Apartment

    Sabrina



    2. Sidney Lumet

    12 Angry Men

    Fail Safe

    The Hill

    Dog Day Afternoon

    Network

    The Verdict



    3. Spike Jonze

    Being John Malkovich

    Adaptation

    Where the Wild Things Are



    4. Jim Jarmusch

    Stranger than Paradise

    Dead Man

    Ghost Dog: The Way of the Samurai

    Coffee and Cigarettes

    Broken Flowers



    5. Wes Anderson

    Rushmore

    The Royal Tenenbaums

    The Life Aquatic with Steve Zissou

    The Darjeeling Limited

    Fantastic Mr. Fox



    6. Werner Herzog

    Aguirre, the Wrath of God

    Heart of Glass

    Stroszek

    Nosferatu

    Fitzcarraldo

    Invincible

    Grizzly Man

    Encounters at the End of the World

    Bad Lieutenant: Port of Call New Orleans



    7. Woody Allen

    Love and Death

    Annie Hall

    Manhattan

    Interiors

    Hannah and Her Sisters

    Radio Days

    The Purple Rose of Cairo

    Hannah and Her Sisters

    Crimes and Misdemeanors

    Bullets Over Broadway

    Everyone Says I Love You

    Sweet Lowdown

    Match Point

    Vicky Cristina Barcelona

    (He’s made a ton and I looked one guy’s top 5 and from this list, only Annie Hall was included, so I guess there are a lot out there that are good. Edward, what did I miss?)



    8. Jean Luc-Godard

    Breathless

    Alphaville

    Weekend (1969)
    (need more for Godard)
    and heres the rest

    Charlie Chaplin

    Howard Hawks

    John Huston

    Luis Bunuel"

    ReplyDelete
  4. And this is what I added to Daniel's list:

    "Godard movies to include....Contempt, Pierrot Le Fou ("Crazy Pete"), Two or Three Things I Know About Her. I don't know that much about him--all I've seen is Breathless.

    Chaplin--his biggest ones are The Gold Rush, City Lights, and Modern Times. The Great Dictator is also big. The Kid, there are a ton of others on allmovie.com that got 4.5 or 5 stars that I hadn't heard of (hadn't heard of The Kid either, but the first four I listed are very, very famous). The Great Dictator he plays Hitler basically (it came out in '40).


    Howard Hawks (one of the biggest director's in the Golden Age of Hollywood): Scarface, Bringing Up Baby, His Girl Friday, To Have and Have Not (I believe Faulkner wrote the script for this...and is it based off a Hemingway novel?), The Big Sleep (wasn't Inception compared to this in the IGN review? Very confusing movie AND book plot-wise...no one on set knew who someone was murdered by and they ended up calling up the author and he didn't even know), Red River, The Thing, Rio Bravo.

    John Huston (notable plays the bad guy in Chinatown and fuck....didn't Ryan send an article about how Daniel Day-Lewis was doing an impression of John Huston for Daniel Plainview? I think Ebert wrote the article): The Maltese Falcoln (we should just do a film noir month one month--this is ground zero for the genre), Key Largo, The Treasure of the Sierra Madre (I have this if anyone wants to borrow), The Asphalt Jungle, The African Queen, The Red Badge of Courage.

    Luis Bunuel: Un Chien Andalou (his intro picture I believe, made with Salvador Dali, and genuinely one of the most fucked up and crazy movies ever--don't expect this movie to make sense and it has one of the grossest scenes ever), Los Olvidados, Viridiana, Belle de Jour, Tristana, The Discreet Charm of the Bourgeoise, That Obscure Object of Desire. Overall, he has the most dream sequences by far of any director I've come across. Also plenty of sexual desire and taboos and stuff like that in his movies. Shows the risks Europeans could take at a time period where it was kept very below the surface in American films.

    As for Woody Allen, you put a lot of his movies, so it's hard to say what you missed. Sleeper is a good comedy--considered his best early one like I said. He had so many (and still does, he has been making consistently a movie a year for about 40 years, LITERALLY). Bananas was the first Woody Allen movie I saw, I believe, and had the iconic moment of a woman getting a snake bite on her breast, and Woody claiming he could suck out the poison. That image will never leave my brain. Husbands and Wives. The biggest ones are by far Annie Hall and Manhattan (Annie is easily my favorite rom-com ever, without question). After that, Crimes and Misdemeanors is really good (and shares a lot with Match Point, although it is made more explicit in Crimes, and there is also a lighthearted side to it which Match Point lacks--Cimes is like Match Point, but with a "Woody Allen character," something I always like although I realize others hate) and Hannah and Her Sisters and maybe a few others. "

    ReplyDelete
  5. I add:

    "Godard movies to include....Contempt, Pierrot Le Fou ("Crazy Pete"), Two or Three Things I Know About Her. I don't know that much about him--all I've seen is Breathless.

    Chaplin--his biggest ones are The Gold Rush, City Lights, and Modern Times. The Great Dictator is also big. The Kid, there are a ton of others on allmovie.com that got 4.5 or 5 stars that I hadn't heard of (hadn't heard of The Kid either, but the first four I listed are very, very famous). The Great Dictator he plays Hitler basically (it came out in '40).


    Howard Hawks (one of the biggest director's in the Golden Age of Hollywood): Scarface, Bringing Up Baby, His Girl Friday, To Have and Have Not (I believe Faulkner wrote the script for this...and is it based off a Hemingway novel?), The Big Sleep (wasn't Inception compared to this in the IGN review? Very confusing movie AND book plot-wise...no one on set knew who someone was murdered by and they ended up calling up the author and he didn't even know), Red River, The Thing, Rio Bravo.

    John Huston (notable plays the bad guy in Chinatown and fuck....didn't Ryan send an article about how Daniel Day-Lewis was doing an impression of John Huston for Daniel Plainview? I think Ebert wrote the article): The Maltese Falcoln (we should just do a film noir month one month--this is ground zero for the genre), Key Largo, The Treasure of the Sierra Madre (I have this if anyone wants to borrow), The Asphalt Jungle, The African Queen, The Red Badge of Courage."

    ReplyDelete
  6. And finally:

    "Luis Bunuel: Un Chien Andalou (his intro picture I believe, made with Salvador Dali, and genuinely one of the most fucked up and crazy movies ever--don't expect this movie to make sense and it has one of the grossest scenes ever), Los Olvidados, Viridiana, Belle de Jour, Tristana, The Discreet Charm of the Bourgeoise, That Obscure Object of Desire. Overall, he has the most dream sequences by far of any director I've come across. Also plenty of sexual desire and taboos and stuff like that in his movies. Shows the risks Europeans could take at a time period where it was kept very below the surface in American films.

    As for Woody Allen, you put a lot of his movies, so it's hard to say what you missed. Sleeper is a good comedy--considered his best early one like I said. He had so many (and still does, he has been making consistently a movie a year for about 40 years, LITERALLY). Bananas was the first Woody Allen movie I saw, I believe, and had the iconic moment of a woman getting a snake bite on her breast, and Woody claiming he could suck out the poison. That image will never leave my brain. Husbands and Wives. The biggest ones are by far Annie Hall and Manhattan (Annie is easily my favorite rom-com ever, without question). After that, Crimes and Misdemeanors is really good (and shares a lot with Match Point, although it is made more explicit in Crimes, and there is also a lighthearted side to it which Match Point lacks--Cimes is like Match Point, but with a "Woody Allen character," something I always like although I realize others hate) and Hannah and Her Sisters and maybe a few others. "

    ReplyDelete

Note: Only a member of this blog may post a comment.