So Matt and I came up with the idea for a movie discussion group yesterday. This doesn't really have to be organized at all--just a meeting of the minds, so to speak, whether that is just us hanging out and talking or Matt writing his doctoral thesis on the use of color in Antonioni films. Basically, every month we are going to watch the films of a specific director. You don't have to watch all of them--watch as many or as few as you want. I had it in mind that you'd go through the ones you do watch in chronological order. That way you can see the growth of the director through their films. But that's just how I'm going to do it. I made a list of twelve directors I'll attach to the end of this post. I included my suggestions for their five or so biggest movies, but obviously you can watch any movies you'd like by them. I had sent an e-mail to the others in the Jesus Fighter Pilots filmmaking group, and hopefully they will come up with their own list of directors. We wanted it so that a new person picked the director for each month. That way everyone is represented. I also wanted a big variety--foreign or American, new or old, all different kinds of genres--because that way people would see movies they wouldn't normally be watching, and I just think it'll help our discussion. Anyone who reads this and wants to join in, feel free. This is open to everyone. If you want to be represented, send me a list of the directors you'd like to watch. This is really loose and informal, so hopefully we can get others to join in.
I also always liked the idea of a reading group. We could do a different author or a different theme or a different genre each month (or it doesn't have to be monthly, it can be other lengths of time). I just like the idea of everyone experiencing stuff at the same time and discussing it. I know Emily reads a lot, so maybe she can get in on this. This could even be done with music, although I'm not sure how that'd work out. Just an idea.
Anyways, here is my list of directors chosen by me pretty much at random with some suggestions for which movies to watch by them (the first movie listed for each is the earliest chronologically and the rest are in order):
1.) Ingmar Bergman (The Seventh Seal, Wild Strawberries, Persona, Cries and Whispers, Autumn Sonata, Fanny and Alexander)
2.) David Lynch (Eraserhead, The Elephant Man, Blue Velvet, Twin Peaks [TV], Lost Highway, Mulholland Dr.)
3.) John Ford (Stagecoach, The Grapes of Wrath, My Darling Clementine, The Quiet Man, The Searchers, The Man Who Shot Liberty Vallance)
4.) Francois Truffaut (The 400 Blows, Breathless, Jules and Jim, Day for Night, The Last Metro)
5.) Akira Kurosawa (Rashomon, Ikiru, Seven Samurai, Throne of Blood, The Hidden Fortress, Yojimbo, Ran)
6.) Coen Bros. (Blood Simple, Raising Arizona, Miller's Crossing, Barton Fink, Fargo, No Country for Old Men)
7.) Frederico Fellini (La Strada, Nights of Cabiria, La Dolce Vita, 8 1/2, Amarcord)
8.) Buster Keaton (The Boat, Our Hospitality, Sherlock Jr., The Navigvator, The General, Steamboat Bill Jr.)
9.) Darren Aronofsky (Pi, Reqiuem for a Dream, The Fountain, The Wrestler)
10.) Michael Mann (Thief, Manhunter, The Last of the Mohicans, Heat, The Insider, Collateral, Miami Vice, Public Enemies)
11.) Brian De Palma (Carrie, Dressed to Kill, Blow Out, Scarface, The Untouchables)
12.) David Cronenburg (The Fly, Dead Ringers, Naked Lunch, Crash, Eastern Promises)
I know, boring picks, right? Some of them are a little obvious (Fellini, Kurosawa), but I haven't seen some of their movies and it seemed like a good opportunity to (and I know the Fellini ones I've seen get better with rewatchings--prepare to be bored your first time!). My goal wasn't really to pick directors I knew all that well, but to pick new stuff to dig into. What is the fun of picking stuff I already know by heart? And I just had to put Lynch on there, becuase he's awesome.
--Edward
Here's some more directors with movies that aren't actually in chronological order.
ReplyDeleteFrancis Ford Coppola
Godfather
Godfather 2
Apocalypse Now
The Conversation
Bram Strokers Dracula
Stanley Kubrick
The Killing
Lolita
Dr Strangelove
Paths of Glory
Barry Lyndon
2001
Full Metal Jacket
The Shining
A clockwork orange
Paul Thomas Anderson
Hard Eight
Boogie Nights
Magnolia
Punch Drunk Love
There Will Be Blood
Spike Lee
Do the right thing
Clockers
Jungle Fever
Malcom X
Bamboozled
25th Hour
Alfred Hitchcock
Rear Window
Dial m for murder
Vertigo
North by Northwest
Psycho
The Birds
Sergio Leone
Once upon a time in the west
the good the bad and the ugly
A fist full of dollars
Martin Scorcese
Mean Streets
Taxi Driver
Raging Bull
Goodfellas
Casino
Gangs of New York
The Departed
Ridley Scott
Alien
Blade Runner
Gladiator
Fritz Lang
M
Metropolis
The Big Heat
Fury
Hangmen Also Die
Orson Welles
Citizen Kane
Touch of Evil
Robert Altman
Short Cuts
The long goodbye
Nashville
McCabe and Mrs Miller
3 Women
Mash
Gosford Park
The Player
Images
California Split
Andrew Niccol
Truman Show
Gattaca
Simone
Lord of War
The Terminal
Let me add "Shoot the Piano Player" to the big Francois Truffaut movies. Sorry, guys, for not having it earlier.
ReplyDeleteDaniel says:
ReplyDelete"1. Billy Wilder
Double Indemnity
The Lost Weekend
Sunset Boulevard
The Seven Year Itch
Some Like It Hot
The Apartment
Sabrina
2. Sidney Lumet
12 Angry Men
Fail Safe
The Hill
Dog Day Afternoon
Network
The Verdict
3. Spike Jonze
Being John Malkovich
Adaptation
Where the Wild Things Are
4. Jim Jarmusch
Stranger than Paradise
Dead Man
Ghost Dog: The Way of the Samurai
Coffee and Cigarettes
Broken Flowers
5. Wes Anderson
Rushmore
The Royal Tenenbaums
The Life Aquatic with Steve Zissou
The Darjeeling Limited
Fantastic Mr. Fox
6. Werner Herzog
Aguirre, the Wrath of God
Heart of Glass
Stroszek
Nosferatu
Fitzcarraldo
Invincible
Grizzly Man
Encounters at the End of the World
Bad Lieutenant: Port of Call New Orleans
7. Woody Allen
Love and Death
Annie Hall
Manhattan
Interiors
Hannah and Her Sisters
Radio Days
The Purple Rose of Cairo
Hannah and Her Sisters
Crimes and Misdemeanors
Bullets Over Broadway
Everyone Says I Love You
Sweet Lowdown
Match Point
Vicky Cristina Barcelona
(He’s made a ton and I looked one guy’s top 5 and from this list, only Annie Hall was included, so I guess there are a lot out there that are good. Edward, what did I miss?)
8. Jean Luc-Godard
Breathless
Alphaville
Weekend (1969)
(need more for Godard)
and heres the rest
Charlie Chaplin
Howard Hawks
John Huston
Luis Bunuel"
And this is what I added to Daniel's list:
ReplyDelete"Godard movies to include....Contempt, Pierrot Le Fou ("Crazy Pete"), Two or Three Things I Know About Her. I don't know that much about him--all I've seen is Breathless.
Chaplin--his biggest ones are The Gold Rush, City Lights, and Modern Times. The Great Dictator is also big. The Kid, there are a ton of others on allmovie.com that got 4.5 or 5 stars that I hadn't heard of (hadn't heard of The Kid either, but the first four I listed are very, very famous). The Great Dictator he plays Hitler basically (it came out in '40).
Howard Hawks (one of the biggest director's in the Golden Age of Hollywood): Scarface, Bringing Up Baby, His Girl Friday, To Have and Have Not (I believe Faulkner wrote the script for this...and is it based off a Hemingway novel?), The Big Sleep (wasn't Inception compared to this in the IGN review? Very confusing movie AND book plot-wise...no one on set knew who someone was murdered by and they ended up calling up the author and he didn't even know), Red River, The Thing, Rio Bravo.
John Huston (notable plays the bad guy in Chinatown and fuck....didn't Ryan send an article about how Daniel Day-Lewis was doing an impression of John Huston for Daniel Plainview? I think Ebert wrote the article): The Maltese Falcoln (we should just do a film noir month one month--this is ground zero for the genre), Key Largo, The Treasure of the Sierra Madre (I have this if anyone wants to borrow), The Asphalt Jungle, The African Queen, The Red Badge of Courage.
Luis Bunuel: Un Chien Andalou (his intro picture I believe, made with Salvador Dali, and genuinely one of the most fucked up and crazy movies ever--don't expect this movie to make sense and it has one of the grossest scenes ever), Los Olvidados, Viridiana, Belle de Jour, Tristana, The Discreet Charm of the Bourgeoise, That Obscure Object of Desire. Overall, he has the most dream sequences by far of any director I've come across. Also plenty of sexual desire and taboos and stuff like that in his movies. Shows the risks Europeans could take at a time period where it was kept very below the surface in American films.
As for Woody Allen, you put a lot of his movies, so it's hard to say what you missed. Sleeper is a good comedy--considered his best early one like I said. He had so many (and still does, he has been making consistently a movie a year for about 40 years, LITERALLY). Bananas was the first Woody Allen movie I saw, I believe, and had the iconic moment of a woman getting a snake bite on her breast, and Woody claiming he could suck out the poison. That image will never leave my brain. Husbands and Wives. The biggest ones are by far Annie Hall and Manhattan (Annie is easily my favorite rom-com ever, without question). After that, Crimes and Misdemeanors is really good (and shares a lot with Match Point, although it is made more explicit in Crimes, and there is also a lighthearted side to it which Match Point lacks--Cimes is like Match Point, but with a "Woody Allen character," something I always like although I realize others hate) and Hannah and Her Sisters and maybe a few others. "
I add:
ReplyDelete"Godard movies to include....Contempt, Pierrot Le Fou ("Crazy Pete"), Two or Three Things I Know About Her. I don't know that much about him--all I've seen is Breathless.
Chaplin--his biggest ones are The Gold Rush, City Lights, and Modern Times. The Great Dictator is also big. The Kid, there are a ton of others on allmovie.com that got 4.5 or 5 stars that I hadn't heard of (hadn't heard of The Kid either, but the first four I listed are very, very famous). The Great Dictator he plays Hitler basically (it came out in '40).
Howard Hawks (one of the biggest director's in the Golden Age of Hollywood): Scarface, Bringing Up Baby, His Girl Friday, To Have and Have Not (I believe Faulkner wrote the script for this...and is it based off a Hemingway novel?), The Big Sleep (wasn't Inception compared to this in the IGN review? Very confusing movie AND book plot-wise...no one on set knew who someone was murdered by and they ended up calling up the author and he didn't even know), Red River, The Thing, Rio Bravo.
John Huston (notable plays the bad guy in Chinatown and fuck....didn't Ryan send an article about how Daniel Day-Lewis was doing an impression of John Huston for Daniel Plainview? I think Ebert wrote the article): The Maltese Falcoln (we should just do a film noir month one month--this is ground zero for the genre), Key Largo, The Treasure of the Sierra Madre (I have this if anyone wants to borrow), The Asphalt Jungle, The African Queen, The Red Badge of Courage."
And finally:
ReplyDelete"Luis Bunuel: Un Chien Andalou (his intro picture I believe, made with Salvador Dali, and genuinely one of the most fucked up and crazy movies ever--don't expect this movie to make sense and it has one of the grossest scenes ever), Los Olvidados, Viridiana, Belle de Jour, Tristana, The Discreet Charm of the Bourgeoise, That Obscure Object of Desire. Overall, he has the most dream sequences by far of any director I've come across. Also plenty of sexual desire and taboos and stuff like that in his movies. Shows the risks Europeans could take at a time period where it was kept very below the surface in American films.
As for Woody Allen, you put a lot of his movies, so it's hard to say what you missed. Sleeper is a good comedy--considered his best early one like I said. He had so many (and still does, he has been making consistently a movie a year for about 40 years, LITERALLY). Bananas was the first Woody Allen movie I saw, I believe, and had the iconic moment of a woman getting a snake bite on her breast, and Woody claiming he could suck out the poison. That image will never leave my brain. Husbands and Wives. The biggest ones are by far Annie Hall and Manhattan (Annie is easily my favorite rom-com ever, without question). After that, Crimes and Misdemeanors is really good (and shares a lot with Match Point, although it is made more explicit in Crimes, and there is also a lighthearted side to it which Match Point lacks--Cimes is like Match Point, but with a "Woody Allen character," something I always like although I realize others hate) and Hannah and Her Sisters and maybe a few others. "